With literally thousands of works in this exhibition the publication was never going to be all encompassing. Extensive studio time was spent with the artist arranging items to photograph – giving the reader a sense of the archival aspect of the work and overall scope. Classical fonts were selected to reflect the historical nature of Pound’s work, however treated in the same playful manner with which he approaches his practice. Thick tipped in sheets were used to separate ‘galleries’ within the publication, whilst introducing the themes beyond and aiding to overall navigation. The finished publication was designed to reflect a